PDF gratuit Never Use Futura
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Never Use Futura
PDF gratuit Never Use Futura
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Détails sur le produit
Broché: 208 pages
Editeur : Princeton Architectural Press; Édition : 1 (1 octobre 2017)
Langue : Anglais
ISBN-10: 1616895721
ISBN-13: 978-1616895723
Dimensions du produit:
14,3 x 1,9 x 20,3 cm
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Classement des meilleures ventes d'Amazon:
678.633 en Livres (Voir les 100 premiers en Livres)
There are a certain number of people out there - people who hide their interest - who love to read about fonts. They come out when someone like Douglas Thomas publishes a book on fonts. His book, "Never Use Futura", isn't long but does do a good job of explaining the history and continued use of "Futura" in advertising and everyday life.Futura came to life in Germany in the 1927 by Paul Renner. It developed into a clean, sophisticated font after some tinkering and it soon took off. Go over to Wiki and bring up the section on Futura. They have a very good box with the lower case letters. Thomas's book has a larger box with all the letters and it's fascinating to see how Renner conceived the letters but changed the more complicated ones to a more simpler style. In Chapter One, about five pages in (I'm reading the eversion, which seems not to have page numbers but you'll find it if you look.) is a chart of Futura in pink and black. The capital letters are sleek and sophisticated but the lower case letters are delightful creations. Take a look at the "a", "b". "g". and "o" for their almost art deco shapes. Renner made them into more recognisable letters...ah...His book is very visual - as it should be - and the only thing I could find wrong - and why I'm giving the book 4 stars instead of 5 stars - is that he refers to Helvetica quite a lot, particularly in comparison to Futura, but he only gives one side by side examples of each. I know Helvetica fairly well, but I'd have loved to see them both together.
This is a great overview of the history of Futura type and its use over the the years. It was a quick and entertaining read that anyone who is not a graphic designer or typographer can understand. I now find myself wondering whether everything is some Futura variation.The only portion of the book I did not like was the brief tangent on the most recent US presidential election which will likely make this book seem dated in the near future.
This books is well organized and well written. In general, it is fascinating. Comments about not understanding why Futura can make a good typeface to use are unfounded. Complaints about the number of footnotes are also unjustified. The book is well documented--not just unfounded generalities, but specificities that give it credibility.However, can we please get away from gratuitous political commentary? I'm so tired of experts who feel like they must comment on Donald Trump and virtue signal, instead of providing objective observations about subject matter. By the way, I would make the same complaint if the gratuitous commentary was about Hillary Clinton. It's just not needed.In many cases, the illustrations (and captions) in the book are screened (?) so that they are extremely hard to read. I'm not sure why this occurred, but this was a big disappointment.
Futura is one of the best and most iconic fonts in modern times. Indeed, everything about Futura screams modernism. Douglas Thomas addresses the font's history, ubiquity, uses and misuses. His title is a sly reference to the frequent warning not to use the font given by design and typography teachers everywhere. Of course, everybody ignores that rule.Here are a couple of fun things I learned:I am a Wes Anderson movie fan and, without realizing it at the time, Futura is one of the best parts about his movies.Donald Trump's campaign didn't use Futura. In fact, his "Make America Great Again" hats use the most basic and utilitarian font ever: Times New Roman.Nike owes much of its success to Futura. Its presence in Nike ads (and threaded directly into the shoes) have become a crucial part of the Nike brand.In short, the book is fascinating. Doug Thomas is a great writer who clearly is passionate about Futura. Anyone interested in cultural histories, design, pop culture, and especially typography should check out this book. (My only complaint is that the book is too short--it needs more space to delve more into an analysis of why Futura is such a persuasive design strategy.)
This book is a very glorified essay. The first half of the book is a very informative look at Futura's history and is worth reading. The rest of the book makes literary stretches to fill up pages. If you are interested in typography and fonts try the books "Stop Stealing Sheep" or "The Elements of Typographic Style." If you want a very juicy history on a similar font, Gill Sans, try his biography.
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